https://ojs.uni-eszterhazy.hu/index.php/ejes/issue/feed Eger Journal of English Studies 2025-02-12T09:13:20+01:00 Angelika Reichmann reichmanna@gmail.com Open Journal Systems <p>The <em>Eger Journal of English Studies</em> (EgerJES) is an international journal published annually by the Institute of English and American Studies at Eszterházy Károly Catholic University. It publishes original papers and book reviews in any of the conventional fields of English studies, including literary analysis and criticism, linguistic theory, applied linguistics, culture and civilization, language pedagogy, etc.</p> https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1478 Eger Journal of English Studies 2025-02-12T09:13:20+01:00 Csaba Czeglédi Angelika Reichmann Albert Vermes <p>&nbsp;&nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1466 Educational Horizons in the Works of Female Authors between 1770 and 1830 2025-02-11T15:12:19+01:00 Andrea Jakab jakab.andrea0514@gmail.com <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1467 Discontinuous Continuity 2025-02-11T15:15:13+01:00 Tamás Tukacs tukacs.tamas@nye.hu Dávid Szőke szoke.david@nye.hu <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1468 English Literature from a Hungarian Perspective 2025-02-11T15:18:17+01:00 Eszter Láncos eszterlancose@gmail.com <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1469 History of English Literature 2025-02-11T15:21:25+01:00 Fanni Antalóczy antaloczy.fanni@uni-eszterhazy.hu <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1470 The Red Book of Central European Tolkien Studies 2025-02-11T15:26:14+01:00 Norbert Gyuris gyuris.norbert@pte.hu <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1475 Eating after the Apocalypse 2025-02-12T09:06:15+01:00 Silvia Rosivalová Baučeková silvia.baucekova@upjs.sk <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1476 The Digital Study of Literature 2025-02-12T09:09:43+01:00 Rebeka Simon simon.rebeka0424@gmail.com <p>&nbsp; &nbsp;</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1457 Mouths 2025-02-11T13:19:19+01:00 Tamás Tukacs tukacs.tamas@nye.hu <p>Daniel Defoe’s Robinson Crusoe (1719) can be read as a fundamental text of (Western) European colonisation and naturally, concomitant with this, of the Protestant middle-class homo economicus. The novel seems to justify several ideological, historical, political, racial and gender assumptions, which are revealed particularly sensitively in the very first encounter between Robinson and Friday. The study examines this scene, with particular attention to the phrase “a very good mouth.” The paper is seeking an answer to the question as to what position the coloniser assigns to the native in the light of the fact that Friday’s qualities that appear at first reading seem feminine, and thus, make Friday appear a feminine subject in this ‘colonial idyll.’</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1458 The Production, Circulation, and Reception of Edith Wharton’s Travel Writings 2025-02-11T13:25:19+01:00 Ágnes Zsófia Kovács agnes.zsofia.kovacs@gmail.com <p>This essay explores how a discursive definition of travel writing maps out the study of Wharton’s travel texts. Firstly, the essay provides a historical overview of approaches to travel writing. As part of this, it explains the notion of travel writing as a discursive formation and considers the questions of the production, circulation, and reception related to the study of the discourses of travel. Secondly, the types of American travel writing available at the time of Wharton’s time are surveyed and her travel texts are positioned among them. Thirdly, the actual publishing context and the contemporary reception of Wharton’s work and her travel articles are considered. After these investigations, a set of questions for reading Wharton’s travel writing can be formulated.</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1459 Identity Construction through Images of Clothing in Fleur Adcock’s Poetry 2025-02-11T13:29:08+01:00 Yuxian Wu wuyuxuan832@gmail.com <p>This study examines how Fleur Adcock, a New Zealand-born British poet, establishes identities through images of clothing in three of her poems. Adcock’s acute observations of clothing reflect the close link between dress and the construction of the self and our place in society. In “The Soho Hospital for Women,” Adcock portrays clothing as a crucial aspect of personal identity, while in “Londoner” clothing reflects the conflict of the divided self. “Witnesses” reconstructs female identity under patriarchy by emphasising the different functions of clothing for men and women in the courtroom.</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025 https://ojs.uni-eszterhazy.hu/index.php/ejes/article/view/1460 Spatial and Corporeal Poetics of the Haunted House 2025-02-11T13:35:06+01:00 Viktória Osoliová viktoria.osoli@gmail.com <p>The paper seeks to offer a Female Gothic reading of Helen Oyeyemi’s 2009 novel, White is for Witching. The dis/location of female identity and corporeality are examined within the context of Gothic space. Female Gothic corporeality and identity are explored through the themes of eating disorder, maternal hauntings, and the haunted house. The spatial and corporeal poetics of the haunted house are illustrated through the peculiar and symbiotic relationship that the female protagonist shares with the haunted house. Oyeyemi’s novel is interpreted as belonging to a Female Gothic tradition and as a narrative that embraces and reconfigures the classic Gothic trope of the haunted house.</p> 2025-02-11T00:00:00+01:00 Copyright (c) 2025